“If people were silent about the things that had happened to them, was something not being betrayed, even if only the version of themselves that had experienced them?” – Rachel Cusk

FEBRUARY 2024
ARIZONA
Virgin River Gorge (VRG)
There’s a specific bend on the trail where, if you know to look up, you’ll catch the tallest point of the Blasphemy Wall. A few more steps, and its entirety rises suddenly from the ground, like a challenge. I always stop here, just for a moment.
By now, I’ve honed a routine: music on, stick-clip the second bolt, walk out to the slab that juts over the highway below. From there, I look at the route. I take my hands out of my jacket, let the cold air harden my skin. Sometimes, I mime a move or two.
The crux of Atonement came early for me—move eight. A lock-off from a right-hand microcrimp that chews into my skin and a left-hand “emotional support hold”: nothing more than an indentation in the wall, but just enough to get my hips where they need to be. Then, a deadpoint to a left-hand sidepull—body tension at its finest, a razor-thin margin between too taut and too loose. When I’m on form, my right foot holds, and my left cuts. When I’m not, I sag too far from the wall before I latch the hold, and I’m off.
For the last few sessions in a row, I couldn’t stick this move—not from the ground, not even in isolation. I’d climb from the very next move to the top on autopilot, but that didn’t mean much if I couldn’t hit the crux.
It’s the worst case of the “VRG lifecycle” I’ve experienced. You make quick progress. Then, you slowly start regressing. Some combination of thin skin, finicky conditions, and a defeated morale all combine to take you from “Next go for sure,” to “not my best day,” to “fuck this place.” Like some complex insect, you have to molt through dozens of near-deaths to finally emerge as the beautiful, sendy butterfly. Mostly, it’s demoralizing. But if you can catch that moment–if you can climb with the kind of focus it demands–I’ve not quite found anything like it.
December moved to January. Then February. The sun was inching toward the wall, ready to shut the season down.
After a few minutes, I walk from the slabs to the base of the route and tie in.
Shoes on, jacket off, music paused.
I go for it.
I don’t stick it.
I lower and sit at the base, still tied in. I’ll go again in five minutes.
My shoes half on, the heels sticking out for air.




